Lady Margaret Hall, University of Oxford

Gender and Sexuality in British Literature

How have expressions of sexuality and gender in British literature been shaped by the social constraints of different periods? How have female authors navigated systems of patriarchy, and what has been the role of literature in confirming and subverting gender norms? And how are the rapid changes in approaches, attitudes, and practices around gender and sexuality since the 20th century reflected in contemporary British writing? This course offers a unique and exciting opportunity to explore these questions and more, examining a wide range of British literature from various genres and periods through the lens of gender and sexuality.

You will discuss representations of the changing roles of women in Early Modern England, from Isabella Whitney’s A Sweet Nosegay and William Shakespeare’s Love’s Labour’s Lost in the 16th Century to ‘breeches’ plays of the 17th Century. You will explore themes of womanhood, sexuality, and maternity in Romanticism and the Gothic through works such as Mary Shelley’s Frankenstein. Further areas of discussion will include censorship and (homo)sexuality, and differing constructions of masculinity in 20th Century British literature, as well as exploring queer literature in contemporary Britain, such as the works of Mary Jean Chan. Theoretical frameworks, including feminist literary theory and queer theory, will be examined and applied throughout the course, and lectures and supplementary resources will equip you with the historical and cultural knowledge to contextualize the texts you will study.

Repression, Subversion, Expression is the perfect course for you if you are a Humanities student seeking to develop your knowledge of British literature and culture, your analytical skills, and your understanding of varied forms of self-expression.

Dates and Availability

Available as a Residential or Online course on the following dates:

Session 1: 24th June to 12th July 2024